Should Chess Authors play the openings they recommend?
Some people assert that the authors of chess repertoire books should not be allowed to play anything other than what they have recommended in their books. I have always found that this claim, if upgraded to law, would seriously injure the human rights of a small group of people I have a natural positive bias towards.
Why do chess authors play in tournaments? Basically to win games, rating and prizes – just like everyone else. They are not on a book tour!
Repertoire books are great and extremely useful. At times someone will say here on the blog that grandmasters don’t read the Grandmaster Repertoire books. Well, we know for sure that the Chinese don’t really read them, because they keep getting stuffed by recommendations from them! But we also know that Anand, Kramnik, Ponomariov, Aronian, Gelfand, Ivanchuk, Svidler, Grischuk, Adams, Polgar and most likely all the other top players in the world have them – with the exception of Shirov, who “doesn’t read chess books”.
However, none of these players would ever follow a repertoire strictly. Instead they look for ideas and information; new analysis and so on. They have their own core repertoires, but will at times include ideas from wherever they find them. In some cases they will take up a new opening and check the analysis carefully; adding their own ideas.
It is not a surprise to me that after the Avrukh and Delchev books were published on the Grünfeld this opening became wildly popular among top players.
There are times when players of a reasonable level will follow a repertoire book for a tournament. Recently GM Sune Berg Hansen followed Bologan’s book on the Chebanenko Slav at the Danish Championship and in general did OK out of the opening with it. I am sure it happens all the time.
But what about the authors?
I want to give two examples of authors following their repertoires from the same tournament:


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