When I write on this blog I try very hard to keep things professional, without making them dull. When I am on my Facebook account I will happily debate things freely, defend controversial points of view or defend dogmatic points of view for that sake, should I agree on them. (An interesting thing is that it is always with the second type of defence that you get into the really difficult discussions with people that are really passionate! It must be like that debating with me at times then!!)
Recently someone tried in private conversation to make a link between the two Worlds, somehow wanting to question the ethics of Quality Chess because of my general views of the moral stand on income tax and ethics in general (views that do not belong here!). The dig was that Quality Chess had somehow a low level of ethics because he felt that Lars Schandorff’s book on the Semi-Slav is being “ghost written”.
This leads to obvious inspiration regarding who writes what on a few projects.
Let us start with Playing the French. It is no secret and has never been a secret that this book is to a great extent written by Nikos, with me advising, helping in choosing lines, finding a few novelties (the best of which was unfortunately played in a Corr. Game before the book was finished) and looking over the finished book. It says as much in the foreword. Nikos did not feel confident enough for the book to have only his name on it. It is the main reason I allowed my name to appear on it. And then the fact that the book was great and I knew it would be great and that Nikos and I work together on openings all the time (that I work on openings). If the book had not been good, I would not have wanted myself associated with the book. As it was, I was centrally involved, just not as the main writer, and I did go over the rest of the book. And we were always very open on this structure of the work with everyone. In the foreword and on the blog.
The book was 2nd in the Chess Publishing Opening Book of the Year Vote.
The winner was another group project. John Shaw’s The King’s Gambit, the ultimate murder weapon (at least if you hit someone with the hardback version). John wrote at least 60% of the book. I wrote maybe 10% and Andrew maybe 25%+. John checked everything over and made sure he was happy with it. Had John been alone on this project the book would never have existed? Now it is a best seller.
Again, we were open about this.