Grandmaster Repertoire and Grandmaster Guide – two different concepts
In New in Chess 2/2014, which finally popped through the door today, there is a longer review of Playing the French, as well as a glowing review of From GM to Top 10 by Judit Polgar (which in my opinion is a good deal better than the ECF book of the year winning predecessor; which obviously is quite great too!).
To get a positive review from such a great player (and reader) as Matthew Sadler is always a great moment for any writer. Especially Nikos and I are happy that he did not manage to put a dent in my weird 12…h6 in the French Tarrasch (which was played once before, so we do not call it a novelty, don’t worry):
1. e4 e6 2. d4 d5 3. Nd2 c5 4. exd5 Qxd5 5. Ngf3 cxd4 6. Bc4 Qd6 7. O-O Nf6 8. Nb3 Nc6 9. Nbxd4 Nxd4 10. Nxd4 a6 11. Re1 Qc7 12. Qe2 h6!!
[fen size=”small”]r1b1kb1r/1pq2pp1/p3pn1p/8/2BN4/8/PPP1QPPP/R1B1R1K1 w kq – 0 13[/fen]
Like me, Sadler is enthrolled and disgusted with this move at once. Surely White should be able to refute it with active play? But the problem is that the bishop on c1 lacks an active outpost. Sadler does not manage to find anything after 13.b3 or 13.Bd2.
Sadler is very positive, but prefers out previous book together, Grandmaster Repertoire 10 – The Tarrasch Defence. He specifically mentions what is probably the highlight of that book, Nikos’ discovery in the 11…h6-variation:
1. d4 d5 2. c4 e6 3. Nc3 c5 4. cxd5 exd5 5. Nf3 Nc6 6. g3 Nf6 7. Bg2 Be7 8. O-O O-O 9. Bg5 c4 10. Ne5 Be6 11. b3 h6 12. Nxc6 bxc6 13. Bxf6 Bxf6 14. bxc4 dxc4 15. e3 Qa5 16. Qc2 c5!!
[fen size=”small”]r4rk1/p4pp1/4bb1p/q1p5/2pP4/2N1P1P1/P1Q2PBP/R4RK1 w – – 0 17[/fen]
There we had 10 pages of analysis, proving the validity of the variation (which I famously never memorised properly…).
This leads us to the point of this post. Basically we are talking about liking one concept over the other (though Sadler has 1-2 points of criticism that seems very valid). In the Grandmaster Repertoire series we seek to present the reader with an in-depth, deeply analysed and detailed repertoire. In the Grandmaster Guide we aim differently; to give some essential information, with the understanding that many people will prefer something that is easy to take in, because they have those weird things called jobs that eat away the time they should be spending on learning the ins and outs of the French Defence. It is especially poignant that Sadler comes with this reflection in this opening, as the Emanuel Berg 3-volume series exists in the same territory 8-). I personally share Sadler’s taste, but this does not mean that I think it is the only way to do things. I know some of you ask quite focussed questions, based on a clear understanding of what we are trying to do with these two concepts, but maybe we need to make it a bit clearer about what we are trying to do at times.
Anyway, we are very pleased and humbled by the fact that Sadler found our book interesting enough to both review and to scrutinize to the degree he did. Simply put: it is an honour.
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